Before we get into the material, I would like to ask you to read no further until you complete an exercise. In my opinion, it is a critical part of this process that will make your actual campaign far better.
I did it myself, entirely by accident, if I am being honest, and boy was I glad I did.
The exercise is simple but probably challenging: Write a fundraiser post that you are happy with before you get into any of my advice. That’s it. Just write the post/campaign asking for the money before you move on.
I strongly recommend that you write this draft letting your emotions speak loudly. Give this very little conscious thought, and simply put to paper why this money is needed to help you or your loved one. Do this without judgment or reservation. It doesn’t matter if you write something totally inappropriate. No one will ever need to read it but you.
This exercise can be tough to do, but it is critical for three reasons:
Get it out of your brain and onto paper where you can really think about it from the perspective of a reader. This is what we're going to use moving forward, and I will refer to it often.
Do it now, and then once you're happy with it proceed to Planning Section 1 below. Good luck!
I wrote this guide with a basic assumption: you need to raise money outside of your immediate circle of family and close friends because of a medical situation that has thrown your life into upheaval. If you had enough available money within that tight circle to handle whatever you may be facing, a broader appeal would probably not be necessary. As such, this guide is really about raising money from acquaintances and total strangers, people who might be moved to give but are not deeply connected to your situation.
Understanding that you are primarily talking to people who don't know your situation well is crucial. They need to get up to speed quickly, and in a credible way. The story you tell, and how you chose to tell it, is of the utmost importance.
The first step of the planning phase is to lay out the story you want to tell.
I want to strongly emphasize from the beginning that this story and the details that describe it must be true. Do not embellish. Give them the facts so you can be confident that those facts will stand up to scrutiny if they are challenged - and they may be. Nothing will kill an appeal faster than someone saying that it is based on lies. The Internet can give, and the Internet can take away just as quickly if people smell BS. Making up or exaggerating details may also be considered criminal fraud. For your sake and everyone else's, keep it real, please.
I recommend that you think about organizing your story in three parts: before the illness, during the illness, and the future beyond the illness. If you bring people into this story, they are much more likely to feel like they are a part of it, connect with it, and thus be moved to action.
Before the Illness:
This section is where we pull in key details from the value building exercise above. What was their life like before getting sick? What great things did they do for their family, community, or country?
This is a great place to talk about positive attributes, work ethic, etc. For those who had meaningful challenges before getting sick, talk about what they did to overcome those challenges.
Action Item:
Lay out some key points from that brainstorming exercise. You may also want to skim your draft and see if there are any useful phrases or ideas that would pair with these value-building attributes. Set all of that aside, we’ll use them later.
During the Illness:
This section should be short. It should be descriptive, so people understand the illness and how it has impacted your life and the lives of loves ones. However, it should not be a blow-by-blow review of a long story, nor should it be a dramatization of the situation. Let people into your “new normal” and allow them to experience a taste of your situation.
Action Item:
Make some bullet points about the most important parts of the journey for which you are raising money:
How long has this been going on?
How did it start?
What is the person’s diagnosis and prognosis?
What is the expected course of treatment?
What kinds of details can you add that make the ask a little more real? How many doctors have been consulted? How many hospitals have been visited? How many trials have been applied for? Have any grants have been won?
How much do you realistically need to raise?
After you lay out these bullets, see if you can put them together into 1-2 tight paragraphs that hit the key points that bring the reader into the story.
After the Illness:
Sometimes referred to as “The Bridge Effect,” people tend to be more comfortable and enthusiastic about donating money when they know that there is a potential positive outcome they could help to create. Their money becomes a bridge to a better place.
You should also gently explain what happens if you can’t build that bridge. There is an art to doing this that I will discuss more. We do not want to guilt people into donating or create negative emotions. But the fact is, you need this money. And without it, something bad will (probably) happen.
Importantly, the story needs to have stakes. Randomly asking for money because someone is sick is far less powerful than connecting that money to a positive outcome, and gently connecting not raising money to a negative outcome.
A good story is like a good crab cake, mostly meat and very little filler. Most every sentence should add detail toward helping people feel comfortable contributing to your appeal. Everything off-topic, unrelated, etc. should be cut.
Action item:
Jot down 2-3 positive outcomes that you could realize if this money was raised. Saving a life is always a good one to use IF IT IS REASONABLY EXPECTED TO BE TRUE.
If known, what is the likelihood of getting to a good outcome?
If known, what is the most likely outcome if the money you have asked for is not raised?
What does life look like beyond this illness?
How will success contribute to your family, your community, and the world?
My sister’s story had the benefit of being of being unique, but this concise telling of a four year saga was just enough to get people into her life and understand the issues at play.
"For the past four years Lexi, who is now 24, has been struggling with a cancer-like disease that has never been seen before. With attributes of cancer, an allergy, and an auto-immune disorder all rolled into one, she has been fighting to stay alive through countless procedures, rounds of chemotherapy, and tests.
Her doctors at Duke and Hopkins designed a handful of studies to try and find a drug that would offer a cure. While they had some initial success, the disease became more aggressive and ultimately the chemo agents they were testing began to harm her kidneys. The last study got shut down when her renal function deteriorated to the point that she had to go on dialysis.
For the last few months her doctors have been searching for some hope and discovered a small clinical trial for a kind of leukemia that is a close cousin to Lexi’s disease process. The study is a cutting-edge, high-risk, high-reward treatment with a 60% cure rate in early human trials. It would not be an exaggeration to say that this is likely her last chance at life."
Taken together, what you have here is a young woman cut down in the prime of her life by an insidious disease that will almost certainly kill her, unless she gets access to the trial. Even if your situation is not quite so dramatic, there is a way of projecting the seriousness of your situation and the importance of the money to building that bridge to a better place.
Also, note that there is a real sense of urgency. It’s not just that she abstractly needs money because being sick is expensive (which it is). Rather, she is shooting for a specific goal that she just needs a little help to reach. How you frame the issues is often as important as the facts themselves.
The final step of the planning process is finding images that will set the right tone and support your fundraiser.
A picture isn’t worth a thousand words. The right picture(s) may well save your life, and that makes it priceless.
This section is the subject of some debate as people have wildly differing opinions. I will share mine with you, and of course you can make whatever choice you think will best resonate with your audience.
The goal of creating a “visual language” is to communicate with the reader on a deeply personal level in a way that words cannot. If you do this well, the appeal will feel authentic, important, and urgent. The opposite is also true. Poorly chosen pictures can evoke fear, mistrust, and even anger.
Consider an extreme example where someone has poorly photoshopped themselves to look like a cancer patient. If you saw that picture and it immediately felt fake, how would you feel? For starters, you would probably be unlikely to donate. You might also feel manipulated and angry, like the poster had violated some fundamental rule of human decency.
In a less extreme example, think about how you would feel if an appeal was launched with pictures that LOOKED like stock photographs, though they were presented as the person asking for help. In this case, the pictures just look too perfect. It doesn’t FEEL genuine, even though it may be just a lovely shot of them taken and edited by a professional photographer. Here, you would probably have some doubt. It could be them, or it could be a scam. This fleeting thought creates friction and will cause some people who would have donated to pass you by.
I would like to share one more negative example, which is actually super common: the “uncomfortably medical” picture. Appeals on the Internet are loaded with images of patients covered in tubes and wires, looking miserable and frail.
I found the photo of the young woman in a hospital gurney that sits at the top of this section on a stock photo site. When I saw it, I had an immediate, visceral reaction. I didn’t want to see her as she is, so young, and probably suffering even though the photo shows her apparently unconscious. I immediately hoped that it had been staged. The photographer that took the shot tagged it with terms like cancer, grief, and death. I immediately scrolled away, looking for a different picture.
Four pages and a hundred photos later, I realized that the picture I had recoiled from was exactly the example of what I meant by a picture that was “uncomfortably medical.” My empathy had just overwhelmed my purpose.
People don’t like to see other people suffering. It can be so objectionable that it literally causes avoidance behaviors, which is the opposite of what we want. We want people to engage.
There is a school of thought, embraced by some charitable groups who show images of emaciated children covered in flies and living in squalor on late-night TV, that the severity of the images drive donation behavior. That CAN be true. I would argue that it is a huge risk, and one not worth taking.
In my opinion, the photos in your appeal should engage readers, connecting them to your situation, and showing them that yours is a life worth saving. That purpose is hampered if their “read” of the picture is that the patient is probably too far gone to be helped, or if the anxiety of seeing someone so vulnerable forces them to look away.
Let me give you a few guidelines of what makes great and poor appeal pictures, and then I’ll cover some different kinds of images in the last section.
What kinds of pictures can you pull together that really reflect the spirit of the patient and provide a hopeful, positive tone for the campaign? For extra credit, can those images show the patient doing charitable work, demonstrating a talent, etc.?
Reach out to family and friends and give them a sense of what you are looking for so they can scroll through their libraries.
Images Should FEEL Real:
All of the pictures should be real pictures from the patient’s life. Borrow nothing from stock photos or the Internet. Images can be tracked across the Internet like fingerprints, and the minute a picture is shown to be not yours, the credibility of your appeal can collapse.
One important part of feeling real is that we should be able to easily see the eyes of anyone who is the subject of the photo. They can be looking off camera, or even be in profile. Still, eyes communicate authenticity and give a sense of what the subject is feeling. I would suggest avoiding pictures where eyes are obscured sunglasses or by other objects in the foreground. I would also avoid photographs where the subject’s eyes are closed unless the picture serves some explicit purpose, such as showing someone emoting while signing, for example.
Feature the Patient Foremost:
Every image should heavily feature the patient, or something directly and obviously connected to the patient that supports the story.
A good example is a family or wedding picture that contains the patient and several other people. We should be able to immediately infer from your image that the patient is loved and would be missed. Joyful, spontaneous pictures “read” well to the audience, like a picture that catches a burst of laughter or a warm hug.
Posed group pictures are often used with no context. They tend to not add much to your story unless they allow the audience to infer something important about the patient.
Recent pictures are generally much stronger than older ones, and they avoid potentially difficult-to-answer questions about why current pictures were not used.
Show The Illness, Not The Suffering:
At least some of the images, including the “hero image” I will discuss more below, should show the patient’s illness, without appearing to be suffering or sickly. If your hair has fallen out, rock the bald head with a smile. If you lost a part of your body, such as a breast or a limb, don’t feel like you need to hide or even minimize it. That’s your truth; own it. People will both trust and respect you for that choice.
In the case that your illness is not visible, perhaps you could choose to take a picture in a medical environment. For my sister’s second appeal, I used a photo of her that heavily featured her smiling face, but she was walking with an IV pole in the foreground. It can be that simple. A snap before a scan, or sitting on an exam table, can be just as powerful as someone with no hair.
A Word On Sadness:
Not every picture in your fundraiser needs to be happy. A modestly sad image can be very powerful, especially when sandwiched between images that are happy and/or hopeful. Showing someone consoling or supporting the patient - like a hug or two faces in profile opposite each other like a mom encouraging her son - can be deeply moving and thus effective.
However, sadness is like salt in a recipe. A little bit makes it taste right, too much ruins what you have made.
Don’t be afraid to be honest about the difficulty. However, in my experience sadness is generally more effective than grief, frustration is more effective than anger, and discomfort is more palatable than suffering.
Avoid Things That Cause Friction In The Donation Process:
I recommend avoiding pictures of surgery or procedures, blood, recent scars, needles, excessive wires, or anything that penetrates into the body, if possible. Also, as above, generally avoid pictures that evoke strong negative emotions such as fear, grief, anger, etc. While these things may be your truth as well, raising money is probably not the time or place for them.
Remember that readers will interpret your images in ways that make sense to them based on their own experiences. That interpretation can be WILDLY different than the reality behind the image in your mind. Keeping pictures simple, positive, and generally non-controversial reduces the possibility of misunderstandings and reader aversion, while also creating an environment of hope and positive energy.
Finally, I recommend avoiding or minimizing pictures that involve activities that readers may feel are inappropriate or private, and/or are off-topic. For example, a picture of the patient fishing is fine if it shows his/her spirit, and that aligns with the appeal. Just showing them sitting in a boat, without some additional context, tells the reader nothing and would be off-topic.
Similarly, pictures of the patient drinking in a bar, in an environment where we might infer drugs are being used, or doing anything that a reader might consider to be self-destructive should generally be avoided. Not that going to a bar is abnormal, but we want to avoid someone having a gut-feeling that the patient didn’t take good care of him/herself.
Also, IN GENERAL, I recommend avoiding pictures that show the patient as appearing to be totally healthy and full of vitality. That may be off-topic as well. One major exception to this guideline is that a healthy picture(s) can be used as part of the “Before the Illness” story. Or, this type of picture can be used as a contrast to the illness pictures, like a before and after.
‘The patient is sick today, but with your support, he/she can get back to leading Scouts through the woods,’ or whatever.
A Word On Creating Images:
Sometimes you just don’t have pictures with the right look. Not everyone has recent photos capturing bursts of laughter just sitting around. Start by looking through recent pictures from family and close friends. However, if you can’t find what you need, don’t be afraid to set up a few snaps to get what you need. In my opinion, staging a few pictures is entirely within the boundaries of this exercise.
Even if staged, they are real pictures, taken of the real patient, and (presumably) would accurately show his/her circumstances. Doing this also allows you to have a bit more of a controlled environment where objectionable elements can be removed, and the scene can be set to minimize distractions.
There is no requirement that appeal pictures purely document what happened, as a journalist might. If every fashion designer, furniture retailer, architect, and beverage maker can stage clear photos of what they want readers to see and understand, so can you. And by the way, taking them on a cell phone is fine. As above, they should be good and clear, well-lit, and focused in the right place, but they should not be flawless.
Here are some examples of images I would consider to be both good and bad for different reasons:
Finally, I would like to share a few different kinds of pictures you may want to use.
The “Hero” Image:
This is the primary picture used in the fundraiser. It defines the tone of the campaign and instantly sets the reader's expectations about what they will read next.
A great hero image is immediately engaging. It should grab your attention when scrolling through a social media feed by looking and feeling different than most of the other pictures people post.
Hero images should ideally feature the patient and be of reasonably high quality, maybe a little artsy, if that’s something you’re good at doing.
They do not need to be embellished with borders, graphics, etc. They also should not be a collage or contain lots of distractions. Show us the patient in a joyous or uplifting way that also communicates that he/she is sick and needs your support.
Body Images:
Ideally, images within the fundraiser should directly tie to whatever you are talking about in the text AND be on-topic. A picture of a woman with her dog is nice but may not be relevant as it doesn’t reveal much about her, other than she likes dogs. That same picture of a woman with her dog is totally different when the dog is a service animal or has been her best friend through her illness. However, if that’s the best picture you have, it’s probably fine to use it.
Images showing the patient engaged in activities that have social value (teaching, volunteering, caring for children, etc.) are particularly powerful. In these pictures, you get both the nice image of a life well-lived and also build the value of the person as a whole.
Body images are a good place to use those selective sad or distressing images, just be sure to end on a note of hope with something uplifting.
Context Images:
Sometimes images are added for context, to visually show something relevant, but hard to describe in words.
When I was working on my sister’s fundraiser, I used a couple of pictures of her artwork. The images were much stronger than just describing them, and they both tied into the story and offered an alternative path to purchase – which I will discuss more later. I was making the claim that she was talented enough that she had started making art to support herself. The images, which were tightly cropped to just show the art, reinforced those claims.
Context images should specifically focus the reader’s attention on something you want them to see because it is integral to the story. Such images do not need to feature the patient or anyone at all and should be used sparingly when needed. In general, though, people prefer looking at pictures to reading about something they could just absorb instantly through their eyes.
Footer Image:
When someone gets to the bottom of your fundraiser, you should have an image that sums it all up and tells them what is next. Think of a general who has given a big speech right before a battle, and now it’s time to unleash the army. The footer image is a call to arms, your closing argument before someone decides if, and hopefully how much, they will donate.
Do you have t-shirts made for the patient with some slogan like fight, win, etc.? Maybe the patient could hold up a sign with a message along the lines of ‘I’m ready to fight. Who's with me?’
Kind of hard to answer that with “Not me, you’re on your own,” right...?
Could you orchestrate a big group shot with a bunch of people in front of a banner? That would add some nice ‘social proof’ to the fundraiser showing all of the people who support this real person with a real need.
Whatever you choose to use, make it the image that shows the reader there is a bridge to a better place that can be gotten to with their help. And, preferably, it should show that the patient is all in to do their part.
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Disclaimer: All content on this website is the opinion of the author which may, or may not, be applicable to or appropriate for your unique situation.
Use at your own discretion and risk.